Pierre-Louis Mascia uses collage to create intricate patterns of surprising visual clarity which he prints allover wearable items. He seamlessly merges the achingly sharp and the softly organic in the same cadre, relying on sudden about-turns, unexpected parallels and optical duplicity. “I feel more like a dessinateur than a fashion designer. The mix of different patterns, a constant attention to the color palette and the use of certain materials define the identity of my collections” he says. 

Mascia, a trained illustrator, hails from Toulouse, France. He launched the Pierre-Louis Mascia line in 2007, under the tutelage of the Uliassi brothers, owners of the Achille Pinto printing factory in Como, Italy, whose glorious history dates back to eight decades of excellence in the field. The collection grew into a lifestyle proposal which today includes knitwear, outerwear, backpacks, throws, cushions.


The electricity of subdued contrast is the defining trait: design is clean, almost bare, while the eye is constantly stimulated by the psychedelic yet rigorous whirlwind of motifs and colors running on surfaces. The peaceful fight of Bauhaus strictness and Rococo abandon translates into a mix of control and anarchy.

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